The honzon of Anyoji Temple near Kurashiki is a golden Bishamonten.
These first six photos are taken in the main hall.
The central, golden statue is Bishamonten depicted seated, whereas he is normally depicted standing. I think the giant Bishamonten statue sitting atop the main gate is modelled on this one.
Bishamonten is, like the other Shitenno, Four Heavenly Kings, originally a Hindu deity brought into Japan through Chinese Buddhism.
Unlike the other three, Jikokuten, Zochoten, and Komokuten, Bishamonten can often be found alone, separated from the Shintenno, and is in fact one of the
Seven Lucky Gods.
Also displayed in the main hall is the statue above of Ganesha in its Japanese form of Shoten or Kangiten.
As well as the main hall, the Jogando displays 31 statues, mostly of Bishamonten carved in the Heian Period.
Usually known as Tamonten when part of the Shitenno, Bishamonten seems to be his name when apart from the group.
Like all deities in Japan, both Buddhist and Kami, he has a variety of attributes and appearances though is usually depicted with a pagoda in one hand.
Like the other Shitenno he is usually depicted wearing armour, and usually with either a baton, or a spear in the other hand.
As one of the Shitenno he is considered the guardian of the north and his colour is black.
Most famously he is considered a patron and protector of samurai, and within the Shingon tradition is often equated with Hachiman
The above statue is, I believe, of Kichijoten, wife of Bishamonten and an Indian Goddess of wealth, beauty, and fertility.
The photo above is, I believe, a modern statues of Zao Gongen. It is possible that it is now on display inside the refurbished Daishi Hall and not the main hall as when I visited.
In Japan the messenger of Bishamonten is the centipede, possibly because of the belief that centipedes can sense gold.
Usually, all four of the Shitenno are depicted with a foot on a small demon-like creature called Jyaki in Japanese.