Showing posts with label pagoda. Show all posts
Showing posts with label pagoda. Show all posts

Sunday, April 6, 2025

Rendaiji Temple 6 Chugoku Kannon Pilgrimage

 


Rendaiji, the 6th temple on the Chugoku Kannon Pilgrimage, is a large complex located high on Mount Yuga in the Kojima area south of Kurashiki and Okayama.


It was a syncretic site known as Yuga Daigongen until modern times but has now split into Rendaiji Temple nd Yuga Shrine, though they both occupy the same site.


In the Heian Period it was one of three sites that were called New Kumano, this site being the equivalent of Nachi Taisha.


Long a site of pilgrimage, the approach to the shrine-temple complex has a temple town with long street lined with souvenir shops.


I arrived by following the old pilgrimage trail from the north and the first things I saw were the statues of the Seven Lucky Gods. The tradition here is that you write your prayer or wish on a white stone and leave on the statue.


Also in this area was a newish Fudo statue, but much more of Fudo is to come......


In one hall is this striking statue of Dakiniten, a Buddhist  goddess with Hindi roots that has become synonomous with Inari in Japan. Two great Dakiniten temples are commonly known as Inari, Toyokawa Inari in Aichi, and Saijo Inari near here in Okayama.


Dakiniten is often associated with foxes and sometimes depicted riding a white fox. The association with foxes seems to be behind much of the association of Dakiniten with Inari.


In this part of the temple is also this magnificent statue of Fudo Myoo, the biggest wooden Fudo in all of Japan, and possibly the world.


It was unveiled in 2007 and is about 7.5 meters tall. You can see more on this earlier post.


Rendaiji was siad to have been founded by the famed monk Gyoki in 733. He enshrined a Kannon and Yuga Daigongen.


In the late Heian Period the complex was destroyed by fire.


It was rebuilt in the Muromachi Period, but really grew in stature during the Edo Period when it became a major pilgrimage destination.


Yoga Daigongen was a deity that offered protection against misfortune, and it became paired with the Konpira Daigongen across on Shikoku. A pilgrimage to both sites became very popular.


The Guest Hall, or, Reception Hall dates back to the very end of the 18th century.


It boasts an impressive collection of painted screens by some well known artists and also offers views of the garden


It is free to enter and I am disappointed I did not.


In many placdes where a temple and shrine were seperated, they now sit adjacent to each other, but here thye shrine part is in the middle of the Buddhist part. After passing through the shrine you come to the second area of the temple and here is the Kannon Hall, pictured in photo 1 above, and also the Daishi Hall below. I will cover the shrine, with its unusual ceramic torii, in the next post in the series.


Also on this side of the complex is an area devoted to Mizuko Jizo.


Also in this part of the complex is the pagoda. In Tahoto style associated with Shingon.


The original pagoda collapsed during a storm in 1670, and was rebuilt during the 1830's and 40's. It is said to be the biggest pagoda in Okayama.


Officially seperated in 1868, the shrine and temple began again to operate as one entity after 1945, however in the lat 1990's a duispute arose between the shrine and temple that continues to this day.


The head priest of the temple and the head priest of the shrine are brothers, which may explain the dispute somewhat.


The previous post in this series on my walk along the Chugoku Kannon Pilgrimage was on the old  pilgrimage trail leading to Rendaiji.


Friday, March 21, 2025

Goryu Sonryuin Temple

 


Heading south towards Rendaiji Temple and Yuga Shrine I was surprised by this big torii and major approach to what was called Kumano Shrine, however the right hand side of the approach was filled with a variety of temple buildings that stretched about 400 meters.


There was an area with many Mizuko Jizo, very much a postwar thing, but apparently there were originally five temples here.


It was very much a shugendo site that included the Kumano Shrine and of the five, Sonyuin seems to have been the main temple.


According to the story, when En no Gyoja, the legendary founder of Shugendo, was exiled to Izu by the government, 5 of his disciples wandered around various areas carrying the divided spirits of the Kumano Sanzan shrines and in 701 after divine revelations set up the shrine here.


Each of the five founded a temple but Sonryuin became the main temple. Later in the 8th century the emperor gave all the land in the surrounding district to the shrine complex and around this time Yuga Shrine and Rendaiji Temple to the south were established so the area became a "new" Kumano Sanzan.


Fortunes deteriorated after the Heian Period but one of the sons of Emperor Gotoba, who had been exiled to the Oki Islands, was exiled here and revived the temples until they again fell into disrepair in the 14th century, all except Sonryuin.


In the 15th century during the Onin War the whole shrine temple complex was almost completely destroyed but revived during the Edo Period.


The three-storey pagoda was built in 1820 and now is within the grounds of the Kumano Shrine.


In 1868 when the Buddhas and Kami were separated the shrine and temple separated, and a few years later when Shugendo was outlawed the temple joined the Tendai sect. In 1945 it once again reverted to Shugendo, with a connection to Tendai Shugendo.


Friday, February 14, 2025

The Pagoda at Anyoji Temple

 


Pagodas come in a variety of forms, with perhaps the kind I saw a few hours earlier at Hofukuji being the most common.


An older style, like the one at Rurikoji, may be more archetypal, but fewer of them are being built nowadays. Fairly common, though perhaps not so recognized as a pagoda, is the Tahoto style largely linked to Shingon temples.


The pagoda at Anyoji is in a style I can only remember having seen once before, at Yakuoji Temple on Shikoku.


The pagoda at Anyoji is modelled on a ceramic model of a pagoda that was discovered in the medieval sutra mound excavated behind the temple. Many of the other treasures unearthed there are on display at the temple.


Bishamonten, the main deity of the temple, is usually depicted holding a small pagoda in one hand, and the big statue of Bishamonten on the main gate is depicted holding this style of pagoda.


The pagoda is only open to the public a few days a year, unfortunately not when I was there, and inside is a Kannon flanked by other statues including a Bishamonten.


The previous post was on the Fudo Myo statues at Anyoji. Other posts on this interesting temple were on the 7 Lucky Gods here, and the Dragon Kannon Hall.


Saturday, February 1, 2025

Hofukuji Temple in Soja

 


Hofukuji Temple is an historic Zen temple in Soja, Okayama.


It is most well known as being the temple where Sesshu trained as a child.


Sesshu, or Sesshu Toyo, was born around 1420 to a samurai family in what is now Soja City.


He went on to become a zen monk and one of the greatest Japanese painters.


He is also known for his gardens.


The most famous story connected to his time at Hofukuji was the story of Sesshu and the Rat


It is not known exactly when the temple was founded, but was originally of the Tendai Sect.


In 1232 it was converted into a Rinzai Zen temple, one of the first in the area.


It received Imperial patronage and grew powerful with more than 50 sub-temples and 300 branch temples at its peak.


In 1575 almost the whole temple was burned down during the Bitchu War, but the 3-story pagoda survived. It has been reliably dated to 1376 and is an Important Cultural Property and the oldest structure still standing here.


The rest of the temple was restored during the Edo Period. The main hall dates to 1735.


Other treasures include the 15th century temple bell, and several silk paintings.


There are two small gardens, a karesansui raked sand one, and a small pond garden.


Hofukuji is a great spot for autumn foliage.


At this time, the Hojo, the Abbots living quarters, are open to the public and paintings by Sesshu and other items relating to Sesshu's time at the temple are on display.


On this visit I was at the start of my 7th day walking the Chugoku Kannon Pilgrimage.


The previous post in the series was on Shorenji Temple in Takahashi.


Sesshu is one of my favorite garden designers, and over the years I have visited almost all of his gardens that still exist, but have not posted many on this blog.