Bishamonten & Other Treasures at Anyoji Temple

 

The honzon of Anyoji Temple near Kurashiki is a golden Bishamonten.

These first six photos are taken in the main hall.

The central, golden statue is Bishamonten depicted seated, whereas he is normally depicted standing. I think the giant Bishamonten statue sitting atop the main gate is modelled on this one.

Bishamonten is, like the other Shitenno, Four Heavenly Kings, originally a Hindu deity brought into Japan through Chinese Buddhism.

Unlike the other three, Jikokuten, Zochoten, and Komokuten, Bishamonten can often be found alone, separated from the Shintenno, and is in fact one of the Seven Lucky Gods.

Also displayed in the main hall is the statue above of Ganesha in its Japanese form of Shoten or Kangiten.

As well as the main hall, the Jogando displays 31 statues, mostly of Bishamonten carved in the Heian Period.

Usually known as Tamonten when part of the Shitenno, Bishamonten seems to be his name when apart from the group.

Like all deities in Japan, both Buddhist and Kami, he has a variety of attributes and appearances though is usually depicted with a pagoda in one hand.

Like the other Shitenno he is usually depicted wearing armour, and usually with either a baton, or a spear in the other hand.

As one of the Shitenno he is considered the guardian of the north and his colour is black.

Most famously he is considered a patron and protector of samurai, and within the Shingon tradition is often equated with  Hachiman

The above statue is, I believe, of Kichijoten, wife of Bishamonten and an Indian Goddess of wealth, beauty, and fertility.

The photo above is, I believe, a modern statues of Zao Gongen. It is possible that it is now on display inside the refurbished Daishi Hall and not the main hall as when I visited.

In Japan the messenger of Bishamonten is the centipede, possibly because of the belief that centipedes can sense gold.

In Japan Bishamonten is also associated with the Tiger, probably connected to a legend about Shoko Taishi.

Usually, all four of the Shitenno are depicted with a foot on a small demon-like creature called Jyaki in Japanese.

The previous posts on Anyoji include the Dragon Kannon Hall, the Seven Lucky Gods, The Tie-cutting Fudo Myo, the unusual Pagoda,  and the Teahouse.

Daihoji Temple 44 Sasaguri Pilgrimage

 

Daihoji, the 44th temple on the Sasaguri Pilgrimage is a Koyasan Shingon sect temple located just below Narufuchi Dam.

It was previously known as Narufuchi Kannon-do, and was relocated to its current location in 1993 because of the construction of the dam.

The honzon of the temple is an 11-faced Kannon, seen in photo 5.

As with all the temples on this short pilgrimage, the smallish temples still have a lot of statuary on display. Above is a statue of En no Gyoja, the legendary founder of Shugendo.

There were several Fudo Myo's, including this one that looks quite youthful.

The last two photos are of a Bato Kannon, I think, on horseback, and an unusual Bishamonten looking like Santa...

The previous post was on Narufuchi Dam.

Kannabiji Temple 11 on the Iwami Kannon pilgrimage

 

Kannabiji is one of the oldest temples in the area I live. It was founded in 746 and it is said that Kobo Daishi later visited and converted it to Shingon.

It was located halfway up a mountain and was supported by the Ogasawara Clan who operated from the nearby Maruyama Castle. In 1872 the area suffered a big earthquake known as the Hamada Earthquake and it caused the spring at the temple to dry up, so the temple was forced to relocate to its current location.

When I visited in early May the azaleas and botanzakura were in full bloom. In the grounds is a very large weeping cherry and by the gate a huge gingko. These last two may have been in the old temple that stood here before Kannabiji was moved here.

I was visiting on day 6 of my walk along the Iwami Kannon pilgrimage, with Kannabiji being number 11. It is also temple 22 on the recently rediscovered Iwami Ginzan Kannon pilgrimage.

The honzon is a Kokuzo Boddhisattva, not a very well-known bodhisattva, but the one that was instrumental in the training of Kobo Daishi..

The Nio are quite cool, and by the side of the main building are a set of rakan statues, (last photo). I cant remember seeing the Kannon statue.

The priest lives nearby in a modern house, but a huge, traditional house sits to the left of the main hall.

The main altar bis quite colourful, with some excellent dragon paintings.

The storehouse is actually a small museum whose prize possession is the remains of a set of samurai armour that dates back to the Heian period and is believed to be the second or third oldest samurai armour in Japan. It is not much to look at but at the art museum in Sakurae Town is a full replica.

On this leg of my walk I walked the route "backwards" from my house upriver. The previous post was on the Zen temple in my village, Hikasaji.

Taisanji Temple 52 on the Shikoku pilgrimage

 

The main hall of Taisan-ji Temple, built in 1305, in the mountains to the northwest of Matsuyama City is a National Treasure and is truly one of the most elegant of the buildings on the pilgrimage.

Number 52 on the Shikoku pilgrimage, it claims to be one of the oldest temples on the pilgrimage.

According to the legend, Mano Choja, a wealthy man from Bungo in Kyushu was heading to Osaka on business in 587. Caught in a storm, his ship was in danger of sinking but was saved by a light shining from the spot where the temple now stands.

Guided to land safely, he climbed the mountain and discovered a miniature statue of Kannon.

He came back with a team of craftsmen from Bungo and according to the legend raised the main hall in one night. Later Gyoki visited and carved a Kannon statue and placed the original statue discovered by Choja inside it. In 739 Gyoki built the temple in the form it is now.

It is said that Shotoku Taishi visited here and there is a statue of him in the octagonal Shtokutaishi Hall.

Later, Kobo Daishi visited and converted the temple to Shingon. The Nio gate also dates back to the temple rebuilding of 1305. In the next post, I will show some of the statues and paintings found here.

The previous post in this series on the Shikoku Ohenro was on temple 51, Ishiteji Temple.

Jimyoin Betsuin Temple

 

The Sasaguri Pilgrimage is a miniature version of the Shikoku 88 temple pilgrimage known as Ohenro. All the temples on the Sasaguri Pilgrimage are within the limits of Sasaguri, a town in the mountains east of Hakata, Fukuoka, and the whole route covers about 50 kilometers, yet the walking pilgrim passes by numerous other temples that are not part of the pilgrimage.

Jimyoin Betsuin Temple is one such temple, located along a mountain road to the north of Narufuchi Dam. We visited on our way down the mountain late in the afternoon of the 1st day walking the pilgrimage after having already visited more than twenty temples.

A Betsuin is a direct branch temple, and this one seems to be a branch of a Jimyoin Temple near Nanzoin further east. It is unstaffed and there was little information though it does appear to be relatively new.

What is known is that the temple belongs to the Shingon sect and has a Daishi-do, Yakushi-do, and across the road a Kannon-do.

The main hall enshrines the honzon, a Fudo Myo, and I will cover it and the many other Fudo statues in the grounds in the next post.

Photo 3 shows, I believe, an Aizen Myo, and the statues in photo 4 very much look in what seems to be Korean-style.

Photo 5 is probably Bishamonten, one of the Four Heavenly Kings, and the one most likely found alone without the other three. I'm not sure of the dragon in photo 6, but it looks a lot like Kurikara, the dragon representing the sword of Fudo Myo, except it is usually shown wrapped around a sword.

Photo 7 is the Shichifukujin, the Seven Lucky Gods. Have no idea what photo 8 is although its meaning seems somewhat obvious. Photo 9 is the Nio guardians from the rear looking across the road to the Yakushi-do.

The previous post in this series on the Sasaguri Pilgrimage was on the small  Hagio Amida-do we visited a little higher up the mountain road.