Hagi Jokamachi details

I am reluctant to call myself a photographer. Of course in the simplest sense a photographer is someone who takes photos, so  obviously I, like almost all of us, are photographers, but if a photographer is someone with technical camera skills then I would not be able to call myself a photographer.

I only have the most rudimentary knowledge of such things as f-stops, focal lengths, etc and most of my photos are taken using the auto settings of my camera. All these photos were taken with a relatively cheap "point and shoot" camera. Expensive cameras and lenses would be wasted on me.

I also take photos very quickly. I don't spend much time setting up shots. I wander around going click, click, click at whatever attracts my eye. Often what attracts my eye are details..... textures, patterns of light and shade, compositions of simple intersecting lines. I am a very simple photographer.

I am often complemented on my "eye", and asked how it is I "see" the things I photograph. Its kind of a difficult question because my subjects are simply there staring me in the face. In fact I would say they call out to me. What exactly is going on is really not all that clear to me except I would have to say it is a matter of simply looking.

Simply looking would mean allowing my consciousness to focus in my eyes rather than in my head. I think it means not thinking, not expecting, and not listening to the chatter of words around and in me. In essence, I think, it means shutting up.

These are some of the things I saw while wandering around the samurai district of Hagi for an hour.

Hina Matsuri

The next day after Shujo Onie we set out to explore off the beaten track in the area south of Usa and Nakatsu. As usual with such explorations we were not disappointed and found several surprising and interesting things:- the great Prefectural History Museum near Usa Hachimangu, and a tunnel with statues depicting Heaven and Hell in Ajimu, but the best was yet to come....

We headed over the mountains along a narrow and winding mountain road towards the Yabakei Gorge. As we dropped down to the valley floor in the east fork of the gorge we noticed a temple with banners flying so stopped in to see...... It was an exhibition of dolls on display for the next few weeks leading up to Hina matsuri. There were dolls scattered about the grounds in fronnt of the temple and lined up on the steps of the main hall. A gentleman invited us in to see more on display inside....

But first we were sat down and given some tea and snacks..... pickles, jelly, and amazake, the non-alcoholic version.....free, as was the entrance to the exhibition.

Afterwards we looked around at the displays of about 1,000 dolls of various kinds. For more information on the dolls of Hina matsuri check this post.

My favorite part was the garden behind the temple which had a dozen or so dolls placed around it....

Shujo Onie Fire Festival

Shujo Onie Fire Festival

February 10th was the Lunar New Year and on the 16th the Shujo Onie Festival was held to mark the occasion. It was held at 2 temples on the Kunisaki Peninsular and I was lucky enough to visit the one at Iwato-Ji. The action began after dark when to the accompaniment of ringing bells and blown conch shells pairs of accolytes ran down the hillside to where the mountain stream had carved a deep pool of water into which the men jumped.

later 4 huge firebrands, 4 to 5 meters in length, were carried down from the temple to a waiting fire where they were lit. Officially this is a buddhist festival at a Tendai temple, but historically its roots are in the unique form of Shugendo in this area.



Then the burning firebrands were carried through the torii and up the steps to the inner shrine area where ther e are caves where the shugenja practised shugyo and other buddhist halls where further ceremonies will take place..

The burning wood was followed by a procession of priests and musicians.

Later there would be much more..... demons (priests in masks) will be brought to life, perform some dances, and then beat all the onlookers with burning sticks. I believe this is to drive away demons and bring good luck for the new year. later still the demons visit all the houses in the community. Unfortunately it was getting late and I was finding the crowds too much so we left.....

Usa Hachimangu Tongu

The grounds of Usa Hachimangu are like a large open park, but it wasnt always that way. Until 1868 the grounds were packed with dozens and dozens of structures,... in a scale model I counted at least eight pagodas...., for this was a huge shrine-temple complex until the government "seperated" the Buddhas and Kami and the buildings were either torn down or dismantled.

The Tongu is a newer structure built where part of the earlier temple complex stood. The Tongu is unused for 362 days of the year, only being used from July 31st to August 2nd when it is home to 3 mikoshi as part of the Nagoshi Festival.

The mikoshi are carried here from the main shrine buildings during which time the three mikoshi battle each other to see who will lead the procession. Once at the Tongu rituals are held. On the third day the mikoshi are taken back up the hill to the main shrine.

Shotoen (outside)

Shotoen is a collection of different styles of traditional buildings surrounded by gardens in Sannose on Shimokamagari Island in the Inland Sea off the coast of Hiroshima.

The displays showcase the ports history as a major stopping point for elite travellers on their way to Edo. During the Edo period 11 diplomatic missions from Korea stayed here and the Korean connection features strongly around the town.

The buildings are all quite different and include one with a cedar shingle roof which are not so common.

The gardens, buildings, and displays I found really interesting and unusual, and as the island is way off the beaten track there are few visitors so it can all be enjoyed quietly.

It is open every day from 9 to 5 and entrance is 800 yen.

Onomichi temple walk Houdo-ji

The path to the second tempel on Onomichis' temple walk is easy to follow and narrow

Like the temples and houses of Onomichi, the graveyards are crowded together...

Founded in 1387, Houdo-ji now belongs to the Jodo sect (Pure land). The bell in the bell tower dates  from the end of the 15th century.

The main deity enshrined here is Amida Nyorai.

Iwami 33 Kannon Pilgrimage Temple 1 Enno-ji

While searching for the first temple of the Iwami 33 Kannon Pilgrimage in Oda City I thought I had found it when I came across a small, plain, non-descript little buddhist building with a statue of Kannon at the water basin.

Behind it was a small cave with an altar, and from the cave a path led up the small hillside...

Along the path were a series of small statues. Obviously a miniature pilgrimage though I didnt explore further.
I was not expecting much in terms of grand temples on this pilgrimage, Iwami is after all a poor and remote area, but I thought that the first temple would have been a bit grander...

And then 100 meters further along the lane I found Enno-ji.

Established in 894 the main deity is yakushi Nyorai. Now the temple belongs to the Shingon sect.

Some Portraits of the Artist as a Younger Man

Artist

2 years younger photographing a shrine sign board in Takachiho, Kyushu.

3 years younger at the Meteor Museum in Shichirui, Shimane.

3 years younger in an elevator in Seoul.

6 years younger coming into port off the Shimane coast.

11 years younger in Kyoto.

Great Blue Herons

I am neither a twitcher nor an ornithologist, so some of these may be Grey Herons rather than Great Blues. Though, like all wild animals, they are naturally skittish around people, many live in urban settings and will allow you to get closer to take photos.... this one was in downtown Kurashiki.

With their long, spindly legs they are well adapted to wade in the shallow waters of ponds and rivers to find their staple... fish. This one is in the pond at the Tenmangu Shrine in Nagaoka.

Known as sagi in Japanese, they feature in many poems and paintings.

Graceful in flight, their wingspan can get close to 2 meters..

This one was in a drainage ditch in Tsuwano, literally a few meters away from where the Heron dance was being performed.

Kushibuchi Hachiman Shrine & Kita Sadakichi

The entrance to the Hachiman Shrine in Kushibuchi, part of Komatsushima City in Tokushima, is flanked by a pair of huge, venerable old trees, probably Camphor.

At the base of one of the trees was a bust of Kita Sadakichi, a famous historian and educator from the Meiji Period who was born nearby in 1871. From a peasant farming family, while in school he suffered bullying and discrimination from his samurai-class schoolmates and this probably led to his being a tireless opponent of discrimination, especially against burakumin.

Like most historians of his time he saw the Japanese as a hybrid people composed of many peoples and races and that in ancient times discrimination did not exist in Japan. He saw the beginning of discrimination when the knowledge of  the Japanese's roots in the Korean peninsular was actively suppressed, a point alluded to in the ninth century Kogoshui. Unfortunately his solution to discrimination was assimilation and his ideas formed the basis for the educational policies of the colonial governments in Korea. The best source in English I have found on his ideas can be found in " A Genealogy of 'Japanese' Self-images" by Eiji Oguma, my short review of which can be found here.

Being a Hachiman shrine, the main kami enshrined here is of course Ojin. usually Hachiman is equated with Ojin, his mother Jingu, and a third kami, either his father Chuai or his consort Himegami. Unfortunately there was no signboard so I have no idea which kami are enshrined in the various small shrines in the grounds except...

a Katsuragi Shrine, in all probability a branch of the shrine on top of Mount Kongo in Osaka and founded by En no Goya the legendary founder of Shugendo.