When it opened in 1994 this was the biggest planetariun in the world.
With a diameter of 30 meters this 300-seat planetarium can project up to 25,000 stars.
However, a couple of years ago it lost the title to a bigger one constructed in Nagoya.
Still impressive, surrounded by a reflective pool of water, this one is part of the Ehime Science Museum complex designed by Kisho Kurokawa and is located in Niihama.
Statues of cranes are in the Nio gate and at other spots around the temple as cranes feature in the founding legend of the temple and Kakurinji means Crane Forest temple.
Located at 550 meters above sea level it is a fine example of a mountain top temple and unlike most other temples in Tokushima on the pilgrimage it has never burnt down. Unfortunately I was there during monsoon rains at the start of a typhoon and so wasnt able to explore the temple as much as I would have liked.
According to the legend Kukai had a dream while in the area that told him that in earlier times there had been a buddhist worship site here so he climbed the mountain to restore it. He found a tiny statue of Jizo being guarded by a pair of cranes and so carved a larger wooden statue of Jizo and placed the miniature one inside it.
Later kukais nephew completed the temple buildings. Over the centuries Kakurinji received support and protection from many powerful figures including Minamoto Yoritomo, Hachisuka Iemasa, and Hachisuka Muneteru.
The main hall supposedly dates back to 1604 but most of the other buildings are more recent, mostly from the 19th Century.
Inome has a wonderful little sheltered cove and beach. Off to the left is a cave that is one of the entrances to Yomi, the Underworld, but I still had a lot of ground to cover on this first day of my Izumo 33 Kannon Pilgrimage so I turned right and headed along the coast.
The road and tunnel are modern creations. There were trails up and over the mountains, but in pre-modern times communication and travel between these little fishing villages would have been by boat.
The coast road heads along the south side of Uppurui Bay, a deep bite into the coast of the Shimane Peninsular. It was here in this bay that I got my first glimpses of flying fish. We were heading into Uppurui by yacht to seek shelter from a forecasted typhoon and I was amazed at how low to the water the flocks of birds were flying until the "birds" disappeared!!! They resurfaced and again flew inches above the water for about 50 meters, and it was then I realized they were fish, not birds.
The name, Uppurui, given to the village on the far side of the bay is most certainly not Japanese, on that everyone agrees, but what it means and what language the word is derived from is a mystery.
After a couple of kilometers I turn and head inland back up into the mountains that I had earlier crossed over. The road up to Gakuenji gets narrower and steeper and the sound of running water is the only sound...
More photos of Fudo Myo I encountered while walking around Shikoku on the 88 temple Pilgrimage. This one was by the roadside along the river not far from temple 13 Dainichi-Ji. Often these "folk" images are more evocative than the more expensively produced "high" art of the temples.
At Dainichiji temple was not a Fudo statue per se, rather Kurikara, the sword carried by Fudo and that is often represented being held by a dragon.
This other small one was by the roadside on the approach to Temple 18, Onzan-ji
This much newer statue is at Temple 19, Tatsue-ji. Interestingly he is holding a chain rather than a rope.
The mountaintop temple 20 Kakurin-ji during a typhoon....
Another folk image by the roadside between temples 21 and 22
I am reluctant to call myself a photographer. Of course in the simplest sense a photographer is someone who takes photos, so obviously I, like almost all of us, are photographers, but if a photographer is someone with technical camera skills then I would not be able to call myself a photographer.
I only have the most rudimentary knowledge of such things as f-stops, focal lengths, etc and most of my photos are taken using the auto settings of my camera. All these photos were taken with a relatively cheap "point and shoot" camera. Expensive cameras and lenses would be wasted on me.
I also take photos very quickly. I don't spend much time setting up shots. I wander around going click, click, click at whatever attracts my eye. Often what attracts my eye are details..... textures, patterns of light and shade, compositions of simple intersecting lines. I am a very simple photographer.
I am often complemented on my "eye", and asked how it is I "see" the things I photograph. Its kind of a difficult question because my subjects are simply there staring me in the face. In fact I would say they call out to me. What exactly is going on is really not all that clear to me except I would have to say it is a matter of simply looking.
Simply looking would mean allowing my consciousness to focus in my eyes rather than in my head. I think it means not thinking, not expecting, and not listening to the chatter of words around and in me. In essence, I think, it means shutting up.
These are some of the things I saw while wandering around the samurai district of Hagi for an hour.
The next day after Shujo Onie we set out to explore off the beaten track in the area south of Usa and Nakatsu. As usual with such explorations we were not disappointed and found several surprising and interesting things:- the great Prefectural History Museum near Usa Hachimangu, and a tunnel with statues depicting Heaven and Hell in Ajimu, but the best was yet to come....
We headed over the mountains along a narrow and winding mountain road towards the Yabakei Gorge. As we dropped down to the valley floor in the east fork of the gorge we noticed a temple with banners flying so stopped in to see...... It was an exhibition of dolls on display for the next few weeks leading up to Hina matsuri. There were dolls scattered about the grounds in fronnt of the temple and lined up on the steps of the main hall. A gentleman invited us in to see more on display inside....
But first we were sat down and given some tea and snacks..... pickles, jelly, and amazake, the non-alcoholic version.....free, as was the entrance to the exhibition.
February 10th was the Lunar New Year and on the 16th the Shujo Onie Festival was held to mark the occasion. It was held at 2 temples on the Kunisaki Peninsular and I was lucky enough to visit the one at Iwato-Ji. The action began after dark when to the accompaniment of ringing bells and blown conch shells pairs of accolytes ran down the hillside to where the mountain stream had carved a deep pool of water into which the men jumped.
later 4 huge firebrands, 4 to 5 meters in length, were carried down from the temple to a waiting fire where they were lit. Officially this is a buddhist festival at a Tendai temple, but historically its roots are in the unique form of Shugendo in this area.
Then the burning firebrands were carried through the torii and up the steps to the inner shrine area where ther e are caves where the shugenja practised shugyo and other buddhist halls where further ceremonies will take place..
The burning wood was followed by a procession of priests and musicians.
Later there would be much more..... demons (priests in masks) will be brought to life, perform some dances, and then beat all the onlookers with burning sticks. I believe this is to drive away demons and bring good luck for the new year. later still the demons visit all the houses in the community. Unfortunately it was getting late and I was finding the crowds too much so we left.....
The grounds of Usa Hachimangu are like a large open park, but it wasnt always that way. Until 1868 the grounds were packed with dozens and dozens of structures,... in a scale model I counted at least eight pagodas...., for this was a huge shrine-temple complex until the government "seperated" the Buddhas and Kami and the buildings were either torn down or dismantled.
The Tongu is a newer structure built where part of the earlier temple complex stood. The Tongu is unused for 362 days of the year, only being used from July 31st to August 2nd when it is home to 3 mikoshi as part of the Nagoshi Festival.
The mikoshi are carried here from the main shrine buildings during which time the three mikoshi battle each other to see who will lead the procession. Once at the Tongu rituals are held. On the third day the mikoshi are taken back up the hill to the main shrine.
Shotoen is a collection of different styles of traditional buildings surrounded by gardens in Sannose on Shimokamagari Island in the Inland Sea off the coast of Hiroshima.
The displays showcase the ports history as a major stopping point for elite travellers on their way to Edo. During the Edo period 11 diplomatic missions from Korea stayed here and the Korean connection features strongly around the town.
The buildings are all quite different and include one with a cedar shingle roof which are not so common.
The gardens, buildings, and displays I found really interesting and unusual, and as the island is way off the beaten track there are few visitors so it can all be enjoyed quietly.
It is open every day from 9 to 5 and entrance is 800 yen.
Posts
