Kumamoto Decorative Tumulus Museum

 

These are just some architecture shots of the museum I posted on last. This time I use the name that is listed in the official Kumamoto Artpolis listings, in which the museum is included.

It opened in 1993 and was designed by Tadao Ando, one of the best known modern Japanese arhitects, though many dislike his obsessive use of plain concrete.

From a purely photographic viewpoint I really like his work as it allows me to take strong, abstract photos with lots of curves and shadows.

A typical feature of many Ando designs is a great, sunken, circular space that brings the sky into the design, something he also often does with great expanses of water reflecting the sky.

More of my visits to Tadao Ando works can be found here. Some of the older posts have lost their photos. If you have any particular desire to see them or if you would like to see more posts on Ando Tadao, please leave me a message in the comments.

Posts on other works in the Kumamoto Artpolis Project are here

Decorated Tombs Museum Kumamoto

Tombs Museum

The Kumamoto Decorated Tombs Museum is located a few miles from Yamaga, north of Kumamoto City. It is sometimes referred to as the Forest of Tombs Museum.

The museum is situated in the middle of an area that has a high concentration of burial mounds of different sizes including the largest, a so-called keyhole tomb.

Burial mounds, tumulus in Latin, are found all over the world, called barrows in England, cairns in Scotland, and kofun in Japan where the name is applied to a historical period, the Kofun Period,  which runs from about 300 to 538 AD.

Burial chambers within the mounds that were decorated, either with carving or painted were in a minority, with a few being found in the Nara/Kinki area, but most being found in northern Kyushu. Of course there may well be more in the Nara region but the tombs there are not excavated. The official reason given is  to protect the dignity of the imperial ancestors, but many believe it is to avoid questions about the origins of the imperial clans.

The kofun, like so much technology, was imported into Japan from the Korean Peninsula. Decorated tombs, in particular, seem to have the strongest link with the kingdom of Paekche. On display inside the museum are many replicas of these decorated tombs. I believe they were originally created for a major national exhibition on decorated tombs in 1993.

While approaching the museum I also passed by another unusual type of burial, tunnel burials, where small tunnels were excavated into the rock face, kind of like pigeonholes or left luggage lockers

Kitsuki Samurai Residence Interiors.

 

The small, castle town of Kitsuki in Oita is home to a preservation district of former samura homes from the Edo Period, several of which are open to the public.

Previously I have posted on the Samurai District, the Exteriors of some of the residences, and the gardens of the residences. This time I show some of the interiors.

Unusually, in one of the houses they had a fire going in the traditional kitchen stove, and you could experience just how smoky such places were without the technology of chimneys.

Traditional Japanese houses are known for having little furniture, but in some of the rooms there were some as well as some artworks and such.

Being close to the castle, these residences were occupied by the higher ranking samurai of the domain. Kitsuki is one of my favorite small, castle towns and has yet to be spoilt by mass tourism.

Many more posts on Kitsuki can be found by clicking the tags below ths post.

Morikawa Mansion in Takehara

 

Takehara is a small port on the coast of Hiroshima that grew wealthy in the Edo Period with the production of salt. It has a well preserved section of the old town that is a registered Preservation District and also goes by the nickname "Little Kyoto"

In a previous post I showed a few photos of the historic "streetscape". Several of the traditional buildings are open to the public, the largest being the former Morikawa Family residence.

It is a huge property, deserving of the title "mansion", and though its style is most certainly Edo period, it was not built until 1916. However, some of the elements were dismanted and brought here from older buuldings.

After 1868 the numerous sumptuary laws that controlled many aspects of how your home could appear had disappeared and so it was easier for merchants to openly display their wealth. The stone floor in the doma, the entrance and kitchen area normally with a packed-earth floor, being just one example.

Morikawa was the mayor of  Takehara when he built this residence. It is believed to have been built on the site of the first "salt" fields of the town.

In a later post I will cover the small gardens that surround the house and are in courtyards, most designed to be viewed from inside the house.

Karashima Island and the origin of Susano

Karashima

Just offshore from the harbour entrance at Takuno near Niima in Shimane is a small group of islets, the largest being called Karashima. Karashima has a shrine named, not surprisingly, Karashima Shrine, and the main kami enshrined here are Susano and his son Isotakeru.

According to the local legend, the island is the stone boat that Susano and his son sailed in from the Korean Peninsula to settle in Izumo. According to the most common version of Japanese mytho-history, the one in the Kojiki, Susano was kicked out of heaven and immediately descended to Izumo. However, in the Nihon Shoki, which was the official version of history before the Kojiki was revived in modern times,  Susano descended to the Korean Peninsula before heading to Izumo. I did read in one medieval text that Susano was believed to have been a prince from the kingdom of Silla. The same text also said Jimmu came to Japan from what is now Okinawa.

I was surprised to find a new statue of Susano in the town. Happily, it was not in the sickly-cute anime style of so many renditions of ancient myths nowadays, but rather as Susano appears in the local Iwami Kagura form of defeating Orochi.

I have not yet made it out to the island to visit the shrine, but discovering it and the associated story set me off on years of exploration and research into the various origin stories of Susano. I had always believed this was a purely local version, for instance up in Okuizumo their story has Susano descending from heaven to a rock near the Hi River.  However, a few years ago while on a boat trip out of Nagato on the north coast of Yamaguchi, the tour guide mentioned that Nagato was where Susano used to depart on his trips back to Korea.

Just around the headland from Karashima is the village and port of Isotake, named after Susano's son. The shrine records there say that Susano used to regularly travel back and forth between Japan and Korea.

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Konomine Shrine

 

When you finally reach the entrance to Konomineji Temple, the 27th on the Shikoku Pilgrimage, the steps fork, left to the main gate of the temple, and right further on up the mountain to Konomine Shrine.

Founded, according to legend, by Gyoki in the 8th century, the shrine and temple were in fact one single sacred site, and where the shrine now stands was in all probability the original site. Nowadays the shrine is considered the okunoin, the inner sanctuary, of the temple, which also suggests it was the original site.

In 1869 things changed with the governments "separation of the Buddhas and Kami, a process akin to separating the white and the yolk from a scrambled egg. Several of the "temples" on the Shikoku pilgrimage were primarily shrines before this time, just as many of the now-famous shrines in Japan were actually temples.

Most of the pilgrims and visitors to the temple don't make the extra climb up to the shrine, and unlike the temple the shrine is uninhabited, so  its a little more rundown, although it is obvious it was a much grander place in former times. There are several other small shrines around the grounds too.

The main kami now enshrined here is Oyamazumi, a kami of mountains, in  a sense the "older brother" of Amaterasu, and a kami with strong ties to Izumo. The most well known shrine to Oyamazumi would be the one on Omisjima Island between Shikoku and Honshu. Amaterasu and some other kami are listed, but I would seriously think they are much later additions.

Umi Shrine

 

I reached Umi Shrine not too long after leaving Yama Shrine. There was no information board at the shrine and I have been unable to find out anything about it from any source. It did appear to be even less used than Yama Shrine and there were absolutely no statues of any kind.

The approach to the shrine was somewhat dramatic, but in fact not very natural. Japan suffered major deforestation in the Edo Period when forests were cut down to build castles and castle towns, and the Shogunate did instigate a tree-planting campaign, around the same time as Germany created their tree-farming methods.

However, the massive expansion of these sugi (Japanese cedar) tree farms where whole mountains are covered in trees of the same age and in lines is a product of postwar bureaucracy/ These unnatural forests are very prone to landslides and lacking any natural undergrowth drive deer, bears, wild boars, and monkeys into raiding villages for food. Meant to be a profitable source of building materials, Japan now imports most of its timber from the USA where it is cheaper.

I was coming to the end of my first day walking the Kyushu Fudo Myo Pilgrimage and had chosen to spend a couple of days walking the Kunisakihanto Minemichi Long Trail which closely followed a more ancient pilgrimage route around the Kunisaki Peninsula. This last section was mountain trail whereas most of the day had been spent on small roads.

Itohara Memorial Museum

Itohara Memorial Museum

The Itohara were a family of high-ranking samurai in the service of the Matsue Domain during the Edo Period. Their base was in the mountains of Okuizumo where they were one of several samurai families that controlled the production, and export, of iron.

The museum at their property near Yokota display many of their artworks, everyday objects, and especially tea ceremony paraphernalia, armor, swords etc as befitting a high-ranking samurai family, but is mostly concerned with the historical production of iron.

Japan had very little iron-ore, but some areas, like here in Okuizumo, were rich in iron-sand, and a special type of forge technology was used to process the sand into iron and steel called a tatara forge.

Part of the output of a tatara forge is a kind of iron called tamahagane in Japanese. This is a vital ingredient in a true Japanese sword and cannot be produced by modern methods, so one single tatra forge is still in operation here in Okuizumo that produces all the tamahagane for swordsmiths.

There is a lot of material on display about historical tatara and such, and quite a lot of samurai possessions and artworks, kimonos etc, however very little info is in English.

The Itohara estate is a few miles from Izumo-Yokota Station on the JR Kisuki Line. Other related posts about Okuizumo can be found by clicking this link.

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