Kora Grand Shrine

Kora

According to the shrine records, Kora Taisha was founded in 400 AD. Over the centuries it rose in rank and by the 10th century was a high-ranking shrine and the Ichinomiya of the province.

Enshrined here are a triad of kami, the central being Kora Tamatare no Mikoto, in al probability a local kami. He is now known as being a kami of martial arts, and also performing arts as a local form of kagura is said to have originated here.

The other two primary kami are Hachiman, and the Sumiyoshi kami. Both of these are originally north Kyushu kami, but I suspect they were added here at Kora Taisha after they became national kami, abd that adding them played a part in the shrine being "promoted".

The main building of the shrine date back to the middle of the 17th century. It is in Gongen Zukuri style, which was a heavily Buddhist-influenced style of shrine architecture that places the 3 separate parts of the shrine, the Honden, Haiden, and Heiden, under one roof.

During the same rebuilding, numerous Buddhist structures were also built, including a 5 storey pagoda, but all these would have been removed when the Meiji government "separated. " the Buddhas and kami

Thre are numerous secondary shrines within the main shrine grounds, and I also discovered a pair of fertility stones. Many people drive up to the shrine for the fantastic views down onto Kurume and out over the Chikugo River Plain.

Earlier I posted on the rather impressive route up the mountain to the shrine.

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Shopfronts of Izushi Castle Town

Shopfronts of Izushi Castle Town

Izushi in northern Hyogo is a former castle town that has enough of its traditional architecture left remaining to qualify as a Preservation District. The actual title is Groups of Traditional Buildings, but I prefer preservation district and often historic streetscape.

 

Before showing some general views of the district I thought I would show you one specific feature of traditional Japanese architecture that I quite like, the frontages with their pleasing ratios and composition.

The top photo is a sake brewery. The second a touristy shop selling souvenirs, and the third a soba-restaurant. There are an inordinate number of little soba noodle restaurants in this little town, and several shop windows show the noodles being made by hand.

Most of the shops and restaurants have the noren hanging curtains.

There vis not much left of the castle, but I did post on it earlier.

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The Way To Kora Taisha

 

While studying maps to set my route as I walked from Kurume Naritasan and the Giant Kannon back to Kurume where I was based for several days I noticed a large mountaintop shrine and so decided on a route that would take me to it.

I must admit that I had never heard of Kora Taisha before. Taisha means Grand Shrine and so it is and was an important shrine. In fact it was the Ichinomiya for the province.

It was a huge temple-shrine complex that while centered on the main buildings near the top of the mountain, had numerous shrines and temples scattered around the base and on the route up to the main shrine.

It is now possible to drive all the way up to Kora Taisha, but I chose to take the stairway that was the original route. I don't particularly enjoy climbing, but it is the only way to get to the top.

There are several small shrines at special trees and rocks on the way up. At its peak more than 1,000 people lived and worked within the shrine, and that included more than 300 Buddhist monks.

Almost all of the Buddhist temples, structures, pagodas, etc that once were here have all been removed, though a couple of gates still remain.

There are also numerous Torii on the way up. The large stone torii at the bottom of the mountain was built in the 17th century, though the other along the way up are not that old.

Next post I will show you around the main shrine, which is said to be one of the largest in Kyushu. I will also delve a little more into the Buddhist legacy.

For those who drive up there is just one Torii to walk through from the parking lot. Coming up the original stairway is I think about 1.5 kilometers.

Fukumitsu Beach

 

About one kilometer further on from Imaura Harbour, I reached the beach at Fukumitsu.

On a sunny day, when the sky is blue, the calm sea turquoise, and the beach golden, its quite pretty. Popular with surfers and local summer bathers.

On an overcast day in the aftermath of a storm, it's not so pretty.

Fukumotsu is not a fishuing village. It has no harbour. It's an agricultural village,farming the river valley that snakes up towards Ginzan. This was all land controlled directly by the Shogunate in Edo, and Fukumitsu would have been prosperous supplying food to the mine.

Kurume Naritasan Temple

Naritasan

Kurume Naritasan is a branch of the famous Naritasan temple in Chiba. A couple of days previously I had visited the Kumamoto branch of Narirasan, and it too had a Chinese influence in the architecture and statuary.

The hinzon of all Naritasan temples is Fudo Myo-o, and as well as in the main hall there are several statues of him in the grounds.

The temple is most famous for its Giant Kannon statue, currently, the 5th tallest statue in Japan, and also is home to a structure based on a famous Indian temple/

There are plenty of other sights within the grounds and buildings. Here I quoate directly from the temples own signboard.... "... is noted as a "migawari Fudoson" ( a place where the victim of some illness or misfortune may pass his discomfort onto the deified being god.) Kurume Naritasan Temple is supposed to provide blessings for traffic safety, fortune increase and protection from evil, business success, family wellbeing, salvation of aborted babies, and the gratification of all desires."

In essence, the focus of the temple, and I might add much of Japanese religious practices, is on "this-worldly benefits".

There is also somewhat of a nationalistic bent, again as there is everywhere in Japan. This display of heroes of Japan is about military and political leaders of the modern state.

Yet More Deities at Myo-on-ji Temple

 

This is the 4th and final post on Myo-on-ji temple. It is not a famous temple, nor particularly ancient or large. However, it does have a large number of statues in numerous small shrines, due to the fact that it is a pilgrimage temple on the Sasaguri 88 temple pilgrimage in Fukuoka.

Myo-on-ji was the 11th temple we had visited since starting to walk the pilgrimage. It had raken just under 2 hours since starting at Sasaguri Station, and by now I had come to realize that there were going to be a lot of very diverse statuary tp be seen over the next 4 days.

I started out by posting some photos of Fudo Myo, one of my favorite deities, and a figure that is very common on this pilgrimage. So much so that my second post was a much larger selection of Fudo statues at Myo-on-ji, with one of my wordiest posts where I try to explain the complexity and diversity of Japanese deity identities. The third post was on a variety of statues of Kannon, another very popular deity, technically a bodhisattva.

This time I show another group of statues, mostly multi-armed, multi-headed, fierce deities that originated in India. The top photo is Aizen Myo, among other things associated with sex and love. The next three might be various Myo..... or not..... If I was to dig into it I might be able to say with some certainty the names and classifications of these deities, but I don't have the time. Probably some readers would know.

Statues of snakes, often with offerings of coins, are commonly associated with Benzaiten, the complex Buddhist-Shinto deity that among other things is often associated with water and many times is conflated with Suijin, the water god. I have also seen these snake statues at altars to Kojin the land god in Izumo.

Thgis final photo is another deity I cannot immediately identify. though for some reason I seem to think it might actually be a Bato kannon......

From Myo-on-ji the pilgrimage route heads up into the mountains and the temples ar further apart, but some are much bigger than any yet visited...

Shinsekai

新世界

Shinsekai is the entertainment district around the Tsutenkaku Tower in the south of Osaka City,

On the right of the photo above you can see one of the icons of Shinsekai, a character called Billiken, a good-luck figure whose history dates back to when he was enshrined in the area back in 1912. He is the creation of American artist Florence Pretz.

It is claimed that the northern part of Shinsekai is modelled on Paris and the southern part on Coney Island in New York

The area was once considered quite seedy but recently has been a little gentrified by the development of nearby Abeno Harukas and the homless residents are less in evidence, though not invisible.

I was here because there are plenty of very cheap hotels in the area that seem particularly popular with Asian tourists on a budget. There are plenty of retro pachinko parlors and arcades, and the local specialty is Kushikatsu, deep-fried skewers of battered meats and vegetables.

I visited at the end of my first day walking the Kinki Fudo Myo Pilgrimage which I started at Shitennoji Temple, one of the oldest temples in all of Japan with a little-known garden, I had visited a further three temples of the pilgrimage, number 2, Kiyomizudera, a small but very old temple, number 3, Horakuji Temple which was quite a surprise with its massive tree and with plenty of art, and temple 4, Kyozenji Temple.

There had been other sights other than the pilgrimage temples.  An annex of Isshinji Temple was very surprising, as was Aizendo Shomanin Temple. The most interesting shrine of the day was Yasui Shrine enshrining the samurai Sanada Yukimura.

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Kurume Naritasan Mahabodhi Temple

 

Readers of my recent post on the Giant Kannon Statue in Kurume will have noticed the appearance of a distinctly Indian-looking building. 

This is a representation of the Mahabodhi Temple in India, built on the site of where the historical Buddha reached enlightenment under the Bodhi Tree, and now a UNESCO World Heritage Site.

Often claimed to be a copy or replica of the original, it is in fact a stylized representation of the original. It stands 38 meters tall, whereas the original is much taller, and the architectural details are somewhat different..

There are numerous similar representations of the original tower in other countries such as Thailand, Myanmar, etc and these copies have also altered the appearance to fit in with their own architectural heritage.